Normal Golf Game takes a tiresomely easy genre and makes it infernally difficult. Which deserves a round of applauseI have always struggled playing golf. I wish I didn’t. It’s a beautiful game in concept. A leisurely walk in the sunshine, slapping a ball around, sandwiches and beer consumed during and after play. Sure, you have to dress like Huggy Bear from Starsky and Hutch, and getting membership of an actual club is more complex than joining the Freemasons (although many offer a two for one deal with this), but you don’t have to be fit, you don’t have to even run. It is the only outdoor sport where a fat dad can be the best in the world.The premise couldn’t be simpler: get the ball in the hole. But there is nothing worse in sport than knowing what you have to do and not being able to do it. Just ask amateur parachutists. Continue reading...

26 Jun 2026 11:02 ✍️ RSS THE GUARDIAN

The blockbuster launch is expected to dwarf the box office takings of the year’s biggest movies with one industry analyst predicting it could make $1bn within an hourIt is, quite simply, the most anticipated piece of entertainment since the Star Wars prequels and now, at last, you can reserve a copy. At midnight last night, Rockstar opened preorders on Grand Theft Auto VI, the latest title in the epic open-world gangster adventure series, five months before its 19 November release date on PS5 and Xbox Series S/X.Prices have also been confirmed, with the standard edition costing $80 in the US, £70 in the UK, and €80 in Europe. An Ultimate Edition (£90/€100/$100) will include exclusive in-game cars, clothes and weapons – the developer has confirmed that there will also be in-game stores that are only open to Ultimate owners. Anyone who pre-orders the game will get a Vintage Vice City pack filled with 80s apparel and other nostalgic items, which look to be straight out of Don Johnson’s Miami Vice wardrobe. Continue reading...

25 Jun 2026 14:17 ✍️ RSS THE GUARDIAN

As football fans revel in the real world tournament, its digital counterparts continue to stumble in capturing the ​hyped up ​atmosphere• Don’t get Pushing Buttons delivered to your inbox? Sign up hereI come with a warning to all football fans: if you’ve been enjoying the World Cup enough to think, “I’d like to re-enact this on a football video game”, do not go to Netflix and play Fifa World Cup: Launch Edition, the officially licensed game of the tournament, which streams via your smart TV or computer. Developed by the virtually unknown Delphi Interactive, it’s a juddering, dated calamity, with sluggish controls (via your phone, once you’ve downloaded the app) and commentary courtesy of Clive Tyldesley that delivers all the excitement of a robotic train station announcement.Until this, it was largely agreed that the worst World Cup football game in history was World Cup Carnival, the first official Fifa tie-in, which was released on various home computers in 1986. Publisher US Gold thought it had a deal with the Manchester studio Ocean Software to repurpose its acclaimed title Match Day, but the agreement fell through. With three months to go before Mexico 86, US Gold was forced to effectively rebadge a dire 1984 sim, World Cup Football, by the fading developer Artic. To add some value to the package, the game was released in a fancy big box complete with a fixtures chart, a World Cup facts poster and some flag stickers. Nobody was fooled – the World Cup Carnival was a critical and commercial disaster. Continue reading...

24 Jun 2026 14:00 ✍️ RSS THE GUARDIAN

As phrases like easter eggs and looksmaxxing enter everyday language, what other words from the world of video games might soon be mainstream?Twenty years ago, video games were seen as a niche hobby dominated by hardcore enthusiasts, tucked away in obscure online forums and gaming meet-ups. Back then, the idea that governments would use footage from Call of Duty and gaming terms such as “killstreaks” as war propaganda would have been absurd. Then the 2010s happened: nerd culture popularised, previously online-only spaces began to meld with the real world, and gaming went mainstream.Now, gaming references have entered common parlance – at the end of 2024, video game terms including “cheat code” and “cutscene” were even added to the Oxford English Dictionary – and they increasingly crop up in politics, too. Earlier this year, the official White House X account posted footage of military strikes on Iran interspersed with footage from the video game Grand Theft Auto. Six days later, another video was posted, this time interspersing military footage with clips from Nintendo’s 2006 game Wii Sports. Video game references aren’t reserved for the political right, either: in February 2026, Democrat representative of New York Alexandria Ocasio-Cortez quipped, “Why does this guy always talk like a World of Warcraft npc [non-player character]?” in response to a post on X by Stephen Miller, White House deputy chief of staff. Continue reading...

21 Jun 2026 11:00 ✍️ RSS THE GUARDIAN

Writing about home life doesn’t have to be humdrum argues the author of Natural Disaster – just look at world-spanning, taboo-shattering works such as Ducks, Newburyport and All Fours ‘There’s no place like home,” Dorothy declares at the end of The Wizard of Oz, as she departs the dazzling Emerald City for Aunt Em’s Kansas farmhouse. It’s a powerful metaphor for the way the domestic sphere is often portrayed in art: action, adventure and drama happen “out there” in glorious Technicolor, with the home rendered by contrast in sober sepia tones. Home may be the place we ultimately yearn for, but only once we have left it behind.While working on my second novel, Natural Disaster, I was periodically plagued by the potential pitfalls of putting domestic life front and centre. The story takes place over 24 hours, following a woman who plans to spend her final day of maternity leave having a nice time with her two small boys (spoiler: it doesn’t go to plan). Continue reading...

28 Jun 2026 11:00 ✍️ RSS THE GUARDIAN

The actor on becoming a celebrity after Coronation Street, her weakness for Bovril, and why she wants a helicopterBorn in Manchester, Paula Wilcox, 76, moved to London aged 17 to join the National Youth Theatre and was cast in Jack Rosenthal’s 1970 television sitcom The Lovers, which ran for two series and became a film. She also appeared in The Liver Birds, Man About the House and Miss Jones and Son, and she played two characters in Coronation Street. On stage she starred in Shirley Valentine, Great Expectations and Canary. Her recent TV work includes Trying, The Cleaner, Avoidance and Channel 5’s new drama The Fortune. She is married and lives in London.What is your greatest fear? Being run over by a cyclist on a pavement or pedestrian crossing, because it’s nearly happened too frequently. Continue reading...

27 Jun 2026 09:00 ✍️ RSS THE GUARDIAN

It’s won all the awards and now it’s going out in a blaze of comedy. Everything that could possibly go wrong for the restaurant does … but who cares when the fusion of tragedy and laughter is this good?It may not be a gastronomic reference many midwestern gourmands would appreciate, but the last episode of the last season of The Bear was Marmite TV. Set in the back yard of the titular Chicago restaurant – transformed over the course of the show from a sandwich shop to a fine dining establishment by its talented and troubled head chef Carmy Berzatto (Jeremy Allen White) – the season four finale consisted of the cast shouting over each other about their respective grudges, oscillating between rage and misty-eyed sentimentality. A naturalistic exchange of complex emotional truths? A rare opportunity to flesh out TV characters’ psyches away from the demands of an actual narrative? Maybe. Or a plotless, unpleasantly cacophonous half-hour designed to entertain no one besides those unhealthily invested in the inner lives of Carmy, his protege Syd (Ayo Edebiri) and their ragtag bunch of fictional colleagues? Yeah, I didn’t love it.Whatever your perspective, it’s hard to deny that The Bear is one of the shows that best encapsulates what was so great and not-so-great about peak streamer-era TV. The brainchild of writer-director Christopher Storer, the series always prioritised thematic richness and indie movie melancholy over focus-grouped crowd-pleasing or hoary screenwriting convention. As a result, it walked the line between uncompromising integrity and tedious self-indulgence – something only possible during a period, now passed, when platforms considered pouring money into auteurish shows a price worth paying for cultural clout. Continue reading...

25 Jun 2026 15:00 ✍️ RSS THE GUARDIAN