After a lifetime of poverty, Évora found huge success aged 51 with 1992 album Miss Perfumado. As Cape Verdean singers celebrate her morna ballads on stage, those who knew her recall her power, pride and constant smokingCape Verde, an archipelago nearly 400 miles off the coast of Senegal, is home to around 530,000 people: about the same population as Leicester, and for decades the country’s music was very little known beyond its borders. Then, in 1992, Cape Verdean singer Cesária Évora released her album Miss Perfumado.The album became a crossover hit across Europe, selling 500,000 copies in France alone, while in the US, Évora became the biggest selling African artist of the 20th century. Miss Perfumado showcased Évora’s sublime voice – smoky, weary, bruised yet seductive – singing Cape Verdean mornas: mournful ballads sung in the Kriolu language which blends old Portuguese with west African languages, with backings that have the same cross-cultural mix. A concert at London’s Barbican next month will celebrate Évora’s legacy with morna performed by rising Cape Verdean singers (Ceuzany, Elida Almeida, Lucibela, Teófilo Chantre) and Mayra Andrade, a celebrated vocalist who was mentored by her. “These concerts honouring her are important,” Andrade says. “She put Cape Verde on the map and we Cape Verdeans are determined to keep her name and music alive.” Continue reading...

12 May 2026 12:15 ✍️ RSS THE GUARDIAN

Six decades ago, Munrow’s passionate and persuasive advocacy for early music opened audience’s eyes and ears – and took the rackett on to primetime TV. Fifty years after his early death, we look back at an inspirational and influential musicianIn March 1968, a 25-year-old musician strode on to the stage of London’s Wigmore Hall with a collection of unusual instruments. He proceeded to entertain the audience with tongue-in-cheek descriptions of a shawm, a crumhorn and a rackett – the first time they’d ever been seen, let alone heard, on the Wigmore stage – and he played them with breathtaking virtuosity. That concert, the London debut of the Early Music Consort, was greeted with delight, which set the pattern of things to come. With all the bravura of the 1960s, David Munrow erupted into the world of early music and transformed what had been a minority interest into popular listening.His flame burned brightly, but briefly: in May 1976 he took his own life at the age of 33. But his impact lives on in the music he rediscovered and popularised, and the innovative ways in which he presented and performed it. The Dufay Collective’s William Lyons has said that his own “programming ethos was very much influenced by that of Munrow: variety and information”. Recently, Skip Sempé, the director of Capriccio Stravagante, wrote that “Munrow … inspired all those who, however unconsciously, followed him with great professional and commercial success. To this day, I feel that every early musician in the UK owes their career to him.” Continue reading...

12 May 2026 06:30 ✍️ RSS THE GUARDIAN

Radical hope and rage combine in this tale of ecological precarity and resistance among sex workers on a brothel island ‘Yes, you will leave this place,” the chorus of child protagonists in a community of sex workers say at the start of Tahmima Anam’s incantatory and fiery new novel of female defiance, Uprising. “This story will save your life,” we were told three times in Deepa Anappara’s 2020 debut, Djinn Patrol on the Purple Line, also featuring precarious children dwelling in the margins. What is the distance between imagination and action, lived realities and dreams? How can solidarities be forged in such circumstances? Uprising holds within its pages some answers and a deep conviction – for a better life, a more just world – and then reaches out and fights for it.As a journalist, Anam visited the infamous “floating brothel” Banishanta in Bangladesh; her new novel, set on an isolated island “at the end of the country, in the middle of a river that emptied into the sea”, fictionalises the island’s community and ecological precarity. Here, a generation of daughters grow up watching their mothers trapped in sex work – “we knew that the work was something that was paid for in money, and also in bodies” – and wish a different life for themselves. The women are controlled by the cruel Amma, who was once herself sold into sex trafficking. The victim becomes the perpetrator – and the children are discerning enough to know that their mothers are “not here because they had done something bad, but because something bad had been done to them”. The first lesson of the island? No one is coming to save you – and living here changes you, as inexorably as the rising tides. Continue reading...

13 May 2026 06:00 ✍️ RSS THE GUARDIAN

An extraordinary exploration of wilderness and its meaning that takes us from the ocean floor to volcanic peaksOff the coast of California, two miles down, there exist geothermal nurseries: gatherings of tens of thousands of small violet octopuses, each the size of a grapefruit. Known as pearl octopuses (Muusoctopus robustus), they congregate around hydrothermal springs which warm their eggs, allowing them to hatch in less than two years (in cold water it can take 10 years). When I want to calm my mind, I think of these gatherings, this factory of octopuses powered by the Earth’s energy that exists quietly away from our gaze, and might easily never have been discovered. How many more such worlds exist?The seafloor is just one setting in Cal Flyn’s carnival of a book, The Savage Landscape, a wondrous personal journey to locate and understand wilderness. It’s a work of extraordinary physical and narrative movement that takes us from the depths of the ocean to volcanoes and icebergs, but is also a journey into our own psyches, and the stories we tell ourselves about “wild” landscapes. Above all, it is a reminder that the places we might conceive of as empty or barren are no such thing; that within wildernesses there is abundant life, both human and nonhuman. Continue reading...

12 May 2026 06:00 ✍️ RSS THE GUARDIAN

A north London cafe is under siege in a state-of-the-nation satire that brings together the haves and have-notsBritain, muses trainee barrister Xan, was getting “hotter, crueller and angrier”. Amanda Craig’s 10th novel watches as it boils over. Her setting is Prospect Park, a fictional north London suburb caught between gentrification and decline, on the 12th day of Christmas. Outside a hotel housing asylum seekers, protesters and counter-protesters have gathered. In a flat nearby, a man has been stabbed, and thugs go from shop to shop, searching for the teenage boy they think did it.Locals look on anxiously. Jade from the beauty parlour and Daisy from the health food shop brave the central street to warn others of trouble. In the kebab shop, Mehmet locks up his doner meat and sharpens his knives. Places with shutters close them. Continue reading...

12 May 2026 08:00 ✍️ RSS THE GUARDIAN

The Booker winner’s epic tale of gay love and loneliness in the Hebrides charts an uneasy homecoming against a backdrop of repressionThere’s a common greeting in the Outer Hebrides: the lineage-establishing “Who do you belong to?” By the time this question is posed to 22-year-old gay Harris islander John-Calum Macleod, or Cal, in Douglas Stuart’s new novel, there is a sense that Cal is his father John’s beyond the ordinary claims of blood – the latter’s sway containing undercurrents of domineering ownership.The book opens with the two conducting a strange ritual over the phone, performed regularly ever since Cal moved to Edinburgh to study textiles: John, a precentor, reads to Cal in Gaelic from the New Testament and has him sing back “with the full power of his belief”. The verse John recites – which prefigures the novel’s themes of repression and self-denial – urges the faithful to guide the errant and to stay vigilant against temptation. After receiving Cal’s assent, John orders him to return home, ostensibly because Cal’s maternal grandmother, Ella, is sick. Though John lives with Ella in her croft house, she is his ex-wife’s mother and thus not his responsibility. Continue reading...

11 May 2026 06:00 ✍️ RSS THE GUARDIAN

Why are Nintendo releasing a straight-up remake of the space-flight shooter – with many of its original limitations – rather than a fresh new take?The Nintendo 64 was not my first video game console, but it was my formative one. Getting to grips with 3D movement in Super Mario 64 with that weird three-pronged controller is one of my most visceral childhood memories; the long, long wait for The Legend of Zelda: Ocarina of Time was the background noise to a huge chunk of my youth. But back in the 1990s (in the UK at least), it felt as if nobody had an N64. When everybody had a PlayStation instead, I felt I was the only kid in my whole city who cared more about Banjo-Kazooie than Crash Bandicoot.If even Zelda seemed comparatively niche in Europe in the 90s, Lylat Wars (known elsewhere as Star Fox 64) was a real deep cut. It’s a 1997 space-flight shooter starring Fox McCloud and his squad of animal pilots laser-blasting across different planets in nimble crafts called Arwings. I played this game to absolute death in 1998, when I got it for my birthday alongside the fabled Rumble Pak, which made your controller vibrate and shudder whenever something cool was happening on screen (fun fact: Lylat Wars was the first console game to feature controller rumble). But I really hadn’t thought about it much since. Then, last week, Nintendo announced a Switch 2 remake. Continue reading...

13 May 2026 14:00 ✍️ RSS THE GUARDIAN